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Digital raindrops and thunderclaps punctuate the soundtrack and are reminiscent of a lesser IMAX film you probably saw two decades ago at the Museum of Science. The film’s 35-minute runtime is padded by cheap gimmicks, including dozens of floating computer-generated Van Gogh heads dissolving into nothingness like a gigantic screensaver. As I settled into one of the patterned seats at the corner of the room, I felt a wave of calm rush over me, aided by a sweeping orchestral soundtrack.Īfter 7 months of waiting, it finally happened: I went to the Van Gogh “immersive experience.” /3Sr3I3sTxL- Kevin Slane October 6, 2021īut as the minutes ticked by, the illusion lost its luster. Sunflowers and golden vistas covered every inch of the walls, which Iacampo said measure 50 by 40 feet, and 35 feet high.
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Lifting the curtains and entering the “immersive” experience, I was briefly awestruck. “Van Gogh: The Immersive Experience” is now in Boston at the Strand Theatre. The only impressive elements of the introductory exhibit are located in a couple of alcoves, where you’ll find shimmering digital projections of Van Gogh’s paintings, a preview of the exhibit’s main event. Alongside the cheap facsimiles, there are Wikipedia-worthy paragraphs about the Dutch painter, along with QR codes that open an app that repeats the same rote information word for word.
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The exhibit begins with a series of low-cost reproductions of Van Gogh’s most famous works, mounted on square canvases under harsh spotlights. “We tried to create the initial part with his paintings and information about him so people could understand him before going into the immersive experience. “Beyond the immersive part, I wanted to give information about so people understand the artist a bit, but without getting overly scientific about his technique,” Iacampo said. Iacampo spoke glowingly of his company’s effort to give customers context about Van Gogh’s life by creating “both an exhibit and experience.” There, I was greeted by Mario Iacampo, the CEO of Exhibition Hub, the company that designed “Van Gogh: The Immersive Experience” and partnered with Fever. Ryan/Globe StaffĪfter a frantic 50-minute trek that involved a train, a bus, and a mile of jogging from Andrew Station, I arrived at the Strand Theatre in Dorchester. The entrance of “Van Gogh: The Immersive Experience” at the Strand Theatre in Dorchester. In late September, the company quietly pushed the opening date back on short notice for a second time, to Wednesday, Oct. Less than 48 hours before its original opening date in September, the company still hadn’t announced the exhibition’s “secret location,” but did announce that its Boston opening would be delayed due to logistical issues. When events company Fever first announced back in March that “Van Gogh: The Immersive Experience” would be coming to Boston, the exhibit has been hamstrung by confusion, customer complaints, delays, and a legal showdown. Given the seven months that had led to that moment, it was a fitting start to my day.
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Then, without warning, he turned away from my apartment and drove off, with the app informing me that my ride had been cancelled. As he seemingly waited for a break in traffic to cross the intersection, I gave him a friendly wave.
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As I stood waiting for my Uber to Dorchester for the opening of “Van Gogh: The Immersive Experience,” I could see my driver across the street.